Based on the novel by Brett Easton Ellis and directed by Ontario-born Mary Harron, the story revolves around a Manhattan businessman named Patrick Bateman (played by Christian Bale) whose lust for status is rivalled only by his lust for blood.
#Skull and bones movie how to#
Frankly, it left you feeling relieved that you had no idea how to find this world, and you hoped you'd never somehow stumble upon it.Īmerican Psycho came out about a month later and only served to reaffirm this.
#Skull and bones movie movie#
The acting is over-the-top, the a-ha moments are endless (and therefore less impactful), and the narrative seems like the type you come up with in a middle school creative writing class that tends to end with "and it was all a dream." But the movie did succeed at one thing: it made joining the ranks of the social and economic upper crust seem terrible. But from a critical standpoint? The reception was lukewarm, because evidently a teen thriller based on conspiracy theories tied to Yale's Skull and Bones student society failed to delight adult critics who found the plot and dialogue ridiculous and far-fetched. Was the movie good? To me, a teenager who couldn't believe Paul Walker and Joshua Jackson were finally co-starring in a movie, absolutely. Released first and celebrated considerably less, The Skulls starred Joshua Jackson and the late Paul Walker in a plot that opened the door to the benefits of belonging to a centuries-old college secret society (power, access, the ability to avoid facing any real consequences) before shoving us into the reality that may accompany it (lack of personal freedom, corruption, cover-ups, murder). But The Skulls and American Psycho introduced me to the toxicity, misogyny, and discriminatory tendencies that tended to accompany the world of elitism - revealing what a sick, sad, and dangerous reality it really was. "Fancy" meant ordering my choice of pasta from the East Side Mario's dinner menu, and "success" meant dressing somewhat like Carrie Bradshaw, despite not fully understanding the intentions behind her outfits (or how I could pull them off). When both films were released in the spring of the new millennium, I was a wee baby 15-year-old who longed to one day afford as many Roxy hoodies as humanly possible. And with those movies, I learned a very valuable lesson: I would rather evaporate than find myself revelling in the midst of the super-rich and exclusive.
This aversion came naturally from growing up proudly working class - but I was also introduced to the pitfalls of wealth and classicism through the early 2000 releases of The Skulls and American Psycho. I've never wanted a fancy-looking business card, and I'd feel upset and uncomfortable to discover I'd found my way into a conversation with Patrick Bateman. Donahue that explores and celebrates the pop culture that defined the '90s and 2000s and the way it affects us now (with, of course, a few personal anecdotes along the way).Īt no point in my life have I aspired to join a secret society. Anne-iversaries is a bi-weekly column by writer Anne T.
0 kommentar(er)
